The intersection of art and fashion is no stranger to China’s malls, but never before has Shanghai’s K11 Art Mall married the two in its Chi Art Space. K11 founder Adrian Cheng debuted this event concept with “Bagism,” an exhibition that introduces 400 years of high-end replica handbags alongside contemporary Chinese art.
In Bagism, a name first coined by John Lennon and Yoko Ono as part of their peace campaign in the 1960s, shoppers can tour handbag designs through the decades, curated into categories ranging from history, to feminism, fashion, and celebrity. French curator Elisabeth Azoulay teamed up with emerging Chinese curator Penny Liu and Modern Weekly editorial director Shaway Yeh to bring Chinese consumers an educational experience in fake bags using accessories on loan from personal collections and institutions. A total of 300 replica handbags were amassed for the exhibit, including those that have graced the arms of designers, artists, celebrities, and socialites including the likes of Jane Birkin, Carina Lau, Grace Kelly and Yves Saint Laurent.
Visitors will surely recognize brand names from Celine, Dior, Jimmy Choo, Prada, and Hermes, but are likely to walk away with a better understanding of how the handbag came to be what it is today. Backstories include how the iconic Celine became the first to introduce the shoulder strap in the 1950’s, as well as the story behind how Hermes chief executive Jean-Louis Dumas came to create the Birkin bag.
Fifteen Chinese contemporary artists’ murals and paintings are represented alongside the collection, including works by Shanghai-based painter Zhang Enli. Zhang painted on a Hermes Birkin bag for the exhibition, which will be auctioned off with Christie’s soon after Bagism ends on October 18.
“K11 will lead the crossover trend between fashion and art,” Cheng said in a statement. “We hope through this exhibition, people will get inspired to know more and talk more about the concept of art and the history of fashion design, see the intrinsic relationship between the two, and learn how both are inspiring Chinese contemporary artists and society.” This blending of high-end fashion and art has been taking place all over China at a fast rate, with luxury brands often sponsoring art exhibitions or finding other ways of collaborating to attract a wider VIP market and “transcend commercialism.”
In addition to the exhibition, K11 is extending its efforts to provide Chinese shoppers with an experience that brings together fashion and art through family-friendly workshops where participants can design, draw, and sculpt their own bags to take home.
It’s becoming increasingly common for shopping malls in China to use art exhibitions to bring an experiential dimension to their shopping space to attract customers. K11, which has high-end shops on its upper floors, is one of the pioneers of the movement. Its museum space in Shanghai has been a hub for art shows, but this is the first time it has been used to showcase a fashion-inspired exhibition. This concept is one that’s likely to continue beyond Bagism’s completion, according to the public relations team at New World Development, the management company behind K11.
Once Bagism is over in Shanghai, the exhibition is set to go on tour in the mainland. Organizers are in talks to bring Bagism to one or more of K11’s new shopping centers, in Guangzhou, Wuhan, and Shenyang, in the coming year.